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America's
fairways have
been anything
but
fair to
black golfers.
Yet
African-Americans
can point
proudly
to their
contributions
to the game.
By Calvin H. Sinnette
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IN THE
APRIL 15, 1984, issues of the New York Times, a
freelance writer named Michel Dixon wrote an account of a
painful experience he had as an African-American playing golf.
The article ran under the headline "On Being Black and
Loving Golf," and it describes a 1979 incident at Winged
Foot Country Club in Mamaroneck, N.Y., which introduced Dixon
to golf's racial animus. A Few months before the incident,
Dixon had played the course on the United State Golf
Association's Media Day for the 1980 U.S. Senior Open, and
he'd had an enjoyable time. Much to his surprise, though, when
he attempted to play in a Golf magazine outing at
Winged Foot later that year, he was told by one of the
magazine's senior editors that "someone had a
problem" with his previous presence on the course. The
editor didn't provide details about who had the problem or
what caused it, but the message was clear: The editor didn't
want him to play. Realizing that he was not welcome, Dixon
withdrew.
Dixon was stung again when one of his friends, a new member
of Philadelphia's prestigious Merion Golf Club, was told to
"forget it" when he inquired about inviting Dixon to
play there. "I wasn't going down to Merion to stage a
demonstration, challenge their membership rules or marry the
club president's daughter," Dixon explained. "I just
wanted to play a gold course I'd heard and read and dreamed
about. And I couldn't. Because I'm black."
Dixon's words resonate within me. They bring back a
hurtful, golf-related incident that happened to me a number of
years ago.
One spring in the late 1950s, I went with a group of
friends to Grossinger's Hotel in the Catskill Mountains for a
weekend of golf. We had planned the event since early winter,
and, as the date approached, we looked forward with eagerness
to our first outing of the year. We were all professional
people, who had to illusions about breaking par, we simply
hoped the trip would usher in a new season of golf, our
passion. |
We did not arrive at the resort until late Friday
afternoon. We had hoped to play nine holes before nightfall, but our
late arrival prevented us from playing that afternoon. By the time we
checked into our rooms on the hotels top floor and got settled, it was
time to get ready for dinner. After shaving, showering and changing
into dinner attire, we met at the bank of elevators on our floor. The
four of us got into a car heading down to the dining room. Two floors
down, the elevator stopped.
When the doors opened, two elderly white women
stepped in. Visibly taken aback to find themselves in close quarters
with a group of black men, each woman gave a short, soft but distinctly
audible gasp. Their eyes darted about, and their lips quivered as they
tried to maintain composure. The elevator doors closed, and the car
renewed its descent. At this point, the more intrepid of the two looked
at us with a tentative smile and asked, "Do you boys play in the
band?"
We were perplexed, angry and disgusted. Though we
were well groomed, well behaved and fairly prosperous-looking, it was
all lost on the two women. Skin color was the sole measurement they
used to conclude that we were musicians. Once again, blind, irrational,
racial stereotyping was the order of the day. It was one hell of a way
to start a weekend of golf.
Yet, my experience at Grossinger's pales in
comparison to the crude indignities suffered on golf courses over the
years by Charlie Sifford, Ann
Gregory, Bill Spiller, Renee Powell and
countless other African-Americans. Nevertheless, despite the grudging
and agonizingly slow pace of improvement in the attitude of the
dominant culture, one cannot deny that favorable changes have taken
place. With each year, the situation for African-American golfers has
become more hopeful. Another milestone was reached in the waning days
of the 1996 summer season with the arrival of Tiger
Woods. His presence
has the potential to drive another mighty nail into racial prejudice's
coffin. Its burial is long overdue.
Not long after I began the research for my book
"Forbidden Fairways," it became clear to me that a
serious study of black golf history had never been written. I learned
this after visiting he Library of Congress, which has 1,900
golf-related books. Short references to African-American participation
in golf are mentioned in many books, but only two examined the subject
in a less than cursory fashion.
In 1988, the late tennis champion Arthur Ashe
published "A Hard Road to Glory." Ashe's three-volume
work covers the participation of black athletes in many sports. Only
five pages in the first volume, however, and 11 pages in the third are
dedicated to golf.
The other book, published in 1993, is "Just
Let Me Play," an autobiographical treatment of the career of
golfer Charlie Sifford. Valuable as both books are, neither was
intended to provide a detailed examination of African-American golf
history. This meant that I had to look for a source of information
other than books. Fortunately, I found one.
Until a generation ago, mainstream white newspapers
seldom published substantive reports about developments in the
African-American community. Without the black press, I would have fount
it difficult, if not impossible, to trace much of the history of blacks
and golf. Not only did black newspapers report the story, but their
reportage helped me put it in perspective to our nation's history of
race relations. Here are some profiles on African-Americans who
ventured onto the nation's forbidden fairways long before the arrival
of Tiger Woods.
Excerpt from Sunday, February 7, 1999; "The
Sun," Section C - Perspective
Dr. Calvin H. Sinnette is emeritus professor of
pediatrics at Howard University College of Medicine. He is an associate
member of the National Minority Golf Scholarship Association.
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